Segovia

The intermingling of ornamental with valuable plants continued to be typical in Tudor gardens. As an innovation, Andrew Borde encouraged that there be two divisions separated by a broad-hedged alley. A single of these sections was to be devoted to pot-herbs, the other to "quarters and pulse with each other with a spot for bee-hives." At times, also, fruit trees had been placed in a unique enclosure. Generally, in the smaller gardens, all sorts of vegetation were integrated, and herbs grown for medicinal purposes were side by side with these cultivated principally for their beauty. cara mengatasi diabetes Amongst the much more ornamental plants grown in the garden were the acanthus, asphodel, auricula, amaranth (flower gentle or flower amor), cornflower (or bottle blew, red, and white), cowslip, daffodil, daisy, gilly-flower (red, white, and carnation), hollyhock (red, white, and carnation), iris (flower de luce or the flos delict- arum of the Middle Ages), Indian eye, lavender, larkspur (larkes foot), lily of the valley, lily (white and red), double marigold, nigella Romana, pansy or heart's-ease, pink, peony, periwinkle, poppy, primrose, rocket, roses of numerous sorts, including the sweetbrier or eglantine, snap-dragon (snag dragon), clove gillyflower (sops-in-wine), sweet-william, sweet-john, star of Bethlehem, star of Jerusalem, stock gillyflower, tuft gillyflower, velvet flower (French marigold), violet, wallflower, and besides, sweet-smelling herbs, such as mint and marjoram. diabetes makanan The shape of the flowerbeds was deemed a lot more crucial than their contents. The four quarters formed by the main alleys, which intersected the middle of the garden, had been enclosed by a latticework fence or striped railings fastened to posts or to carved beasts. These quarters had been subdivided into knots. The knot was either a geometrical pattern or the outline of some fanciful shape, such as a dragon, kept in spot by a coping of wood, brick, stone, or tiles, and edged with box or some other border plant. The design of the knot was recognized as open or closed, according to no matter whether it was merely outlined with a border plant, and strewn inside the outlines with colored sands, or was filled with expanding flowers. A maze or labyrinth was an additional preferred ornamental design, and sometimes took the place of the knots. Occasionally it was planted with hedges high adequate to conceal the intricacies of the paths, and to force the uninitiated to wander extended upon the outskirts, unable to penetrate inside but often it was merely outlined with lavender or some other low expanding plant, and served merely as a type of decoration. The central object point was usually an arbor or a clipped tree.